Pages

If we knew what it was we were doing, it would not be called research, would it?

If we knew what it was we were doing, it would not be called research, would it? --Albert Einstein

Monday, June 24, 2013

Book Review: Kidnapped


I’ve discovered I love nineteenth century adventure stories.

For the “Back to the Classics Challenge” sponsored by the blog Sarah Reads Too Much, I read The Three Musketeers (see review) in January and now Robert Louis Stevenson’s Kidnapped.
When published in 1886, Kidnapped was already historical fiction based in part on a real life struggle between England’s King George (Could he get along with anyone?) and the Scottish Highlanders. It centers on a 1752 event known as the Appin Murder where the king’s agent, Colin Roy Campbell, was murdered by a sniper. Alan Breck Stewart, a key character in Kidnapped, was accused and convicted of this murder in absentia. The event was also featured in Sir Walter Scott’s Rob Roy.

In Stevenson’s novel, seventeen-year-old David Balfour (fictional) is kidnapped and on his way to the American plantations as a slave (many are unaware of colonial America’s white slavery) when the ship picks up a stranded Alan Stewart. The two become allies against a sinister captain and crew when their own ship hits a reef and sinks. The remainder of the book is a fictionalized version of the intrigue surrounding the Appin Murder and its aftermath.
Like The Three Musketeers, the book is crammed with compelling characters and fast-paced action that kept me glued to the pages. I read it on a weekend car trip and finished it within hours of arriving home. The dialogue was often written in a Scottish Highland dialect that I found fun to read and included many local and likely archaic words from that area. The definition of some could not be discerned from the content, but I only looked up a handful to understand the plotline.

I enjoyed reading Treasure Island several years ago especially since we live near Savannah, Georgia, where some of that story is based. But I must say Kidnapped was even better. It is a great book and a fun read.  

Saturday, June 8, 2013

Book Review: Light in August by William Faulkner

William Faulkner and I just aren’t going to get along. I chose to read Light in August because I had never read one of his books and knew I’d enjoy his Southern setting. Which I did.

The book starts out with a poverty-stricken pregnant girl, Lena Grove, walking across the Deep South in search of her baby’s father. It then describes Joe Christmas, a pale-skinned man with mixed blood who is hounded from place to place by his “defect.” A sad, lonely minister, Reverend Hightower also has a starring role in this book of engrossing characters.

Characterization is Faulkner’s forte. He goes into detail with even the most minor players so that the reader feels connected to them all. Each backstory was fascinating and made me want to know more and more of each character.

Faulkner also is a master of imagery. Without being too heavy-handed with it (like an author who merely wants to show off his talents), he uses similes and metaphors that caused me to pause at their perfection. Describing a brand new fire truck as arrogant and proud, he adds, “About it hatless men and youths clung with the astounding disregard of physical laws that flies possess.” Yes. Exactly.
So, you may ask, what is the problem? Wordiness. Sentences that drag on, phrase after phrase until I’ve long since lost the gist of it. I am aware (and annoyed) that my “Old Age ADD” may be at play here, but I need to stop after a thought or two and digest before adding any other points to the sentence.

Making my point, I said to my husband, “Listen to this.” I was unable to finish the sentence before he barked, “Enough!” It was just too much!

Sometimes pages and pages seemed to go on like that and I found myself drifting away from the storyline. I often actually lost the storyline altogether, becoming frustrated and confused.
I did finish the book out of stubbornness. But I won’t read another one.  

Thursday, May 30, 2013

A Message from Montgomery

Note: Please be forewarned that I have included a disturbing photo at the end of this post.

The morning of my sixtieth birthday, my husband, Wendy, and I drove into downtown Montgomery, Alabama, counting on road signs to guide us to civil rights landmarks. We passed one for the Civil Rights Memorial and, while backtracking to find it, an iconic red-brick church rose up before us. My heart caught in my throat at the site of the Dexter Street Baptist Church where MLK, Jr. was pastor from 1954 to 1960.
 
On December 1, 1955, Rosa Parks was arrested after she famously remained seated on a Montgomery bus. One day later, people crowded into this very church where they decided to launch the bus boycott. Wendy and I speculated on the fear that must have permeated the sanctuary barely four months after the widely publicized torture and murder of Emmit Till. (Photo is at the end of the post.) We are in awe of the astounding courage this non-violent protest required.
Unfortunately, a funeral was scheduled for that morning, so we were unable to go inside.

Wendy had read that the Civil Rights Memorial was only a block away, so we rounded a corner and came right up on it. I quickly recognized the black-table fountain from my Southern Poverty Law Center literature. This gorgeous monument was designed by Maya Lin, designer of DC’s Vietnam War Memorial. She was inspired by MLK’s paraphrase of Amos 5:24, “We will not be satisfied until justice rolls down like waters and righteousness like a mighty stream.”

Photo from www.splc.org
 
Inside, we learned that she left a space on the civil rights timeline to
indicate that there were many incidents before this time and after.

I was not surprised that, to enter, we had to go through airport-like security since I was well aware of the many death threats against founder Morris Dees. Also, you may remember the 2009 murder of a Holocaust Museum security guard by an aging white supremacist.

Among other things, the museum featured a fascinating mural of the major events during the Civil Rights Era. But there was also a reminder that, on a smaller scale (thank God), these types of things still go on. One example was a pair of young men who were “looking for people to kill.” Black, Hispanic, anyone as long as they weren’t white. They eventually killed a young girl because “she trusted us and she was in-between.”

One of the last exhibits was the Wall of Tolerance, a digital display where the names of people who have taken the following pledge flow down the screen.
“By placing my name on the Wall of Tolerance, I pledge to take a stand against hate, injustice and intolerance. I will work in my daily life for justice, equality and human rights - the ideals for which the Civil Rights martyrs died.”

Both Wendy and I proudly added our names and immediately watched them roll before my tear-filled eyes. I tried several times to photograph them, but none came out. The photo below came from the SPLC website.

I was one year old when the Brown vs. Board of Education decision was handed down. I grew up with this movement in the background and was profoundly affected by it as a teenager. Human dignity and civil rights issues have molded my life. I feel very strongly that forgetting the sacrifices of the martyrs who came before us risks a return to the oppression that provoked it.
 
Photo of 14-year old Emmit Till
in his casket. The inset shows
the boy before the murder.

Monday, May 20, 2013

Inside "To Kill a Mockingbird"


The courtroom of "To Kill a
Mockingbird"
It was my birthday and we were headed for Mobile, Alabama. “There’s a Carnival cruise ship there,” my husband, Wendy, said. “I hope you brought your passport.”

“I bet you got a good price,” I teased. This was Day Two of my five-day sixtieth birthday celebration and each day was a surprise. Wendy would come to a corner or fork in the road and I would watch anxiously to see which way we went, adjusting my guess based on the turn. I was having a blast.
At about eleven in the morning, he steered the VW into a truck stop for a restroom break. Or so I thought. He didn’t get out of the car, but instead handed me an envelope and said, “Here. This is your birthday gift.”

When I opened the card, I cried out with joy and gratitude. Inside were two tickets to the local production of To Kill a Mockingbird that Monroeville, Alabama residents put on each year. Monroeville is the home of reclusive author Harper Lee and the prototype for much of the book—her only work and my very favorite book/movie.
I have read the book a handful of times, but I have seen the movie too often to count. As a conflict resolution teacher, I used clips from the film to show how Atticus would get spit in the face by Bob Ewell, wipe his face and walk away—not in fear, but in courage. Never did I have a middle schooler call Atticus a coward; they all recognized his dignity and valor. And when the black townspeople at the courthouse rose in honor of Atticus after he defended Tom Robinson, tears never failed to fall from my eyes. (During my single days, I often said I’d like to marry Atticus. )

I meant marry the Gregory Peck
version.
We drove the twenty miles to Monroeville and had a look around. The Old Courthouse Museum was where Lee’s father, the model for Atticus Finch, practiced. This courtroom was studied and measured by set designers, then re-created in Hollywood where the movie was filmed. Stepping into the actual room was magical.

No photography during the play,
so use your imagination.
While we looked around, one of the curators asked Wendy if he would like to be on the jury for the evening’s performance. They chose only white men for authenticity. “Do it!” I urged. This could not get any better. Imagine him behind Gregory Peck, looking stern and disgusted with Tom Robinson.

Entering the courtroom, I sat in the witness chair, channeling Mayella Ewell. “Your fancy airs don’t come to nothin’, Mr. Finch!”


Mayella on the stand
Me on the stand









I climbed into the balcony and crouched where Jem, Scout, and Dill watched the trial with Reverend Sykes and the rest of the “colored” community.

Outside the courtroom, encased in glass, is what’s left of the tree that grew in front of the real-life Radley house. This was as close as falling into a rabbit hole and landing in 1930’s Maycomb, Alabama, as one can come. My whole body buzzed with excitement.

Me as Mrs. Dubose: "Don't you say 'hey'
to me, you ugly girl!"
In the evening, we sat outside the courthouse for the first act. An amphitheater has recently been built where pre-trial scenes are enacted.
After that, the court clerk and Sheriff Heck Tate announced those selected for the jury. Wendy and his compatriots headed in the back way and I found a seat on the jury side of the courtroom, second bench back. Right behind me sat “Miss Maudie” and “Miss Stephanie” who whispered their gossipy comments throughout the play. Only those within a couple-foot radius could hear them. It was so cool!
Many of the local actors are related to, knew, or knew of the actual people the book was based on. I was very impressed with the talent of these volunteers, who have even taken the production around the world.

Atticus Finch Monument
Atticus Finch, although fictional, is an American hero. In Monroeville, the Alabama State Bar erected a memorial to him, calling him a “lawyer-hero.” The American Film Institute named him the greatest film hero in the last 100 years. Over the last fifty years, this novel has affected people throughout the world the way it has inspired me and I was privileged to feel a part of it.

Sunday, April 28, 2013

Aarrgh!

I love onomatopoeia.

You remember, words that sound like their definition. In writing my book, I needed my character to wail in anguish. I needed a really strong onomatopoeia.
The internet is a wealth of amazing information. Yet, I have to wonder who puts in the countless hours in front of a screen plugging in this drivel--I mean, data. I don’t know who you guys are, but I’m grateful for your time and personal sacrifice.

Here are a couple of interesting websites that helped me this week. First, check out “Written Sound: How to Write the Sound of Things” at http://writtensound.com. You can peruse an alphabetical listing of all the collected “words that imitate sounds.” Or you can search them by topics such as Weather, Music, Explosions, or Gas.
Check it out. These words can be fun. You’ll find the old stand-bys you studied in fifth grade such as buzz, giggle, and hiccup. And a couple I would challenge as onomatopoeia at all, like oops or cliche. (Really? A worn, played-out phrase sounds like cliché? I can’t see it or hear it.)

Gwuf, gwuf
But then there are the unique and intriguing ones like …
           Flibbertigibbet: a flighty, gossipy young woman          
       Gwuf, gwuf, gwuf: footsteps (Can’t you hear them?)
           Kish, kish: ice skates during a hockey game

And, although I’ve never been on a subway during an important announcement, I can imagine the loudspeaker sounds like “thisshig rrrerrk.”
But what about wailing in anguish? I found “argh,” which according to one entry on Urban Dictionary (http://www.urbandictionary.com/), is “the correct version of an expression of frustration or anger.”

The sample sentence given is "No brigette, argh is spelled with an h and not just arg."

You would think someone so concerned about the correct spelling of a word like argh would know to capitalize a proper noun. More than that, as it turns out, the word arg or argh has more spellings than you can possible imagine.
For that, may I direct you to “The Aargh Page” at http://osteele.com/words/aargh#? On that page is an impressive chart of all the possible spellings of aargh, along with how often and where each spelling has been found in print—from argh to (I kid you not) aaaaaaaaaaaaaaaaaaaaaaaaarrrrrrrrrrrrrrrrrrrgh!!!

Whoever put this together, I commend you while I urge you in the strongest possible terms to get out more.
As for my story, I had my character cry, “Aarrrrgh,” showing he is obviously in pain without being, you know, too splashy.

Ahem. Anyway, in order to avoid too much babble and blather, descending into gibberish—you know, yadda yadda yadda--I believe I’ll close. 

Tuesday, April 16, 2013

Eighteenth Century Desperate Housewives



You’re a Christian in eighteenth century Europe. Life becomes so unbearable that you don’t want to live. According to your religious beliefs, however, when you commit suicide, you are damned for all time. What to do?
 
But wait! Not if you murder someone else. You may be hanged for homocide, but you can repent on the gallows, obtain absolution, and spend eternity with Jesus in heaven. Voila!
This was the reasoning of a number of people from around 1612 to 1839. They no longer wanted to live, but in order to avoid an eternity of hellfire, they decided to commit murder instead.

But these were not uncaring people. In their “kindness,” they often killed an innocent child, one whose pure soul would enable him to go straight to heaven himself. (One woman slit a boy’s throat so severely, she said she could “look down into his neck,” in her own words.)
Once the deed was done, they immediately went to the authorities to report their crime, and await execution. A win-win.
I first heard about this convoluted thinking on PBS’s This American Life. Last August, the episode entitled “Loopholes” featured Kathy Stuart of the University of California Davis who has researched this phenomenon known as “suicide by proxy.”

Stuart discovered about 300 of these cases that occurred over 200+ years, usually committed by women. Some, she noted, did not even express regret over what they did. So how did that work? If they were not sorry, how could they be forgiven and escape damnation?
The priests or ministers at the gallows would often ask, “Do you think God can be fooled in this manner? You know that by doing this you actually have committed suicide.”

The perpetrators agreed, according to Kathy Stuart. But the accused merely confessed these crimes as well—and then repented. Problem solved.
Officials were frustrated by this trend and, in 1702, made the executions more painful and shaming. Nope. Didn't work. These people were looking to die; they didn’t care.

In 1767, courts went so far as to take away the very incentive for the horrific crime—they removed the death penalty altogether. That should have stopped the behavior in its tracks. And yet, it continued.
Beyond understanding, the practice did not end until the next century. “It really seems like people didn’t get the memo,” Stuart says.

Sooo, they killed a small child, confessed, repented, and spent their even more miserable lives in some hole of a prison. Obviously, these “desperate housewives” were not as clever as they thought. The "dumb criminals" of yore. 

Monday, March 4, 2013

Book Review: The Great Gatsby



My niece assured me I could read all of The Great Gatsby on my flight from Philadelphia to Columbia, SC. The plane pulled up to the terminal with four pages left to read.

Scene from the 2013 remake

I had seen the 1974 movie starring Robert Redford and Mia Farrow, but as is often the case, I found the book so much deeper and more profound. First, the lifestyle of the uber-wealthy in the Twenties was set in the first forty-seven pages before we even confronted the mysterious character of Jay Gatsby.
It was clear that despite the massive, beautiful homes, servants, and leisure time, the lives of the rich on Long Island were vacuous and, to me, boring. That explains the draw of neighbor, Gatsby’s, spectacular parties. We learn later through the narrator, Nick Carraway, that the galas were merely a way for Jay Gatsby to find his way back into the life of his first love, Daisy Buchanan (Nick’s cousin).
I won’t give away the story, but suffice it to say, the simple devotion of Jay Gatsby slams into a world where the lifestyle and prestige that money brings has a powerful grip of its own.
One of my fascinations with the book comes from the fact that F. Scott Fitzgerald wrote this novel in 1925, in the midst of the “Roaring Twenties.” To me, the lives of the characters exuded emptiness, and it is amazing that Fitzgerald exposed this before the Crash of 1929, while he, his wife, and the rest of America were enmeshed in this lifestyle.
 
On a side note, I was struck by the racism of the day and how we can see remnants of it even now. Tom Buchanan, the husband of Gatsby’s beloved Daisy, says in conversation, “The idea is if we don’t look out the white race will be—will be utterly submerged. It’s all scientific stuff; it’s been proved.” He adds, “It’s up to us, who are the dominant race, to watch out or these other races will have control of things.”
There are disparaging remarks about Jews as well, which are striking when you think the Holocaust is years in the future. It reminded me that eugenics (the “science” that expounds the superiority of some races over others) was embraced during this time, and was not really discredited until after Hitler’s atrocities.
 
All in all, I found the book thought-provoking, with much to say to us now in our materialistic culture.